Selected Agency Projects: 2014–2021

Ⓐ

When artists and athletes age, what happens to their work? Does it ripen or rot? Achieve a new serenity or succumb to an escalating torment? As our bodies decay, how do we keep on? In this beguiling meditation, Geoff Dyer sets his own encounter with
The name Phyllis Posnick is synonymous with Vogue and the extraordinary fashion and beauty editorials the magazine’s audience loves. Posnick is best known for creating photo editorials to illustrate the magazine’s Beauty and Health articles, as well
From the beginning of their lives, the Olivier sisters stood out: surprisingly emancipated, strikingly beautiful, markedly determined, and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were
“The role of the critic,” Daniel Mendelsohn writes, “is to mediate intelligently and stylishly between a work and its audience; to educate and edify in an engaging and, preferably, entertaining way.” His latest collection exemplifies the range, depth
A nameless woman enters a hotel room. She’s been here once before. In the years since, the room hasn’t changed, but she has. Forever caught between check-in and check-out, she will go on to occupy other hotel rooms. From Avignon to Oslo, Auckland to
NEW YORK TIMES BEST SELLER Named a Fall Read by Vogue, Esquire, The Washington Post, TIME, Vanity Fair and O, the Oprah Magazine. One of Daily Mail and Financial Times's Best Books of 2018. “There are very, very few people who occupy the ground tha
*NATIONAL BESTSELLER* *SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD* A Globe and Mail Best Book of the Year A New York Times Editors’ Choice Pick “Banville sets up and then deftly demolishes the Agatha Christie format…superbly rich and sophist
See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world’s most important photographers – from Eugène Atget to Alex Webb – Geoff Dyer shows us how to read a photograph, as he ta
The definitive collection of literary essays by The New Yorker’s award-winning longtime book critic Ever since the publication of his first essay collection, The Broken Estate, in 1999, James Wood has been widely regarded as a leading literary crit
Through more than 250 objects dating from the seventeenth century to the present, The Costume Institute's spring 2019 exhibition explores the origins of camp's exuberant aesthetic. Susan Sontag's 1964 essay "Notes on 'Camp'" provides the framework fo
In a genre-defying book hailed as “exquisite” (The New York Times) and “spectacular” (The Times Literary Supplement), the best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead an
John Berger, one of the world’s most celebrated art writers, takes us through centuries of drawing and painting, revealing his lifelong fascination with a diverse cast of artists. In Portraits, Berger grounds the artists in their historical milieu in
*NATIONAL BESTSELLER* Booker Prize winner John Banville returns with a dark and evocative new mystery set on the Spanish coast Don't disturb the dead… On the idyllic coast of San Sebastian, Spain, Dublin pathologist Quirke is struggling to relax,
Ali Smith’s Seasonal Quartet is a series of four stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories, which, when taken together, give us something more—all four united by
A New York Times bestselling author and veteran board member offers an insider's view of corporate boards, their struggles, and why they must adapt to survive. Corporate boards are under great pressure. Scandals and malpractice at companies like The
In the tradition of John Szarkowski’s classic book Atget, award-winning author Geoff Dyer writes one hundred essays about one hundred photographs, including previously unpublished color work, by renowned street photographer Garry Winogrand.
Previous

Select Manhattan School of Music Projects Ⓒ | Ⓔ | Ⓕ | ⓟ | Ⓡ | Ⓦ
Next

Art_Latin_America: Against the Survey Ⓒ | Ⓔ | Ⓕ| ⓟ | Ⓡ